bio

There is something unpolished about the way that Radium Dolls exist, which is all part of their chaotic charm. Since forming in Brisbane Australia in 2019, the same four members have built their reputation as a live band first: touring relentlessly, playing anywhere that would have them, and letting word of mouth do the rest. Oscillating between bravado and fragile, it is raw and honest music that is designed to be cranked loud and thrashed live. 

At the centre is Will Perkins, a magnetic frontman delivering distinctly Australian lyrics with a sharp, often humorous edge. Around him the band brings their own character, with guitarist Tom Perkins grinning his way through each song, and bassist Ewan Day and drummer Bryce Equinox holding it together with a sweet, understated seriousness. 

Their sophomore album Wound Up (2026) debuted at #2 on the ARIA Australian Album Chart. Across their two EPs and two albums, it is evident that sitting neatly in one genre has never been their intention. Instead they’ve created a unique sound that pulls from pub rock, punk, country and something more reflective. With several sold-out tours across Australia, a debut North American run and growing international attention, Radium Dolls are a band that have earned their momentum - and are still very much in motion.

press quotes

Radium Dolls aren’t just riding the wave of modern Australian rock, they’re helping redefine it - The Luna Collective 

Their music is playful, twanging, pulsing punk rock at its best, which manages to carve out space for itself in an already crowded landscape - Far Out Magazine  

Radium Dolls are a flavourful, caustic bite of Aussie punk - Beat Magazine

This wild band thrives in the boundless space between chaos and precision - Youngster Year Music Journal

“Radium Dolls have the drive, originality, and creative honesty to make a significant impact in Australia and beyond.” – Ian Haug, member of Powderfinger

“Whenever people say is there new music that you can recommend, I always say Radium Dolls - my favourite Australian band of the moment” - Derrick Gee, Internet Music Personality

touring

  • Domestic: Sold out WOUND UP Album Tour (Feb 2026) at The Triffid, Howler, Brightside Outdoors, Lansdowne Hotel + Sold out SCORCHING HEAT single tour (Jun 2025) + MAN SCOUT single tour (Nov 2024) + LEGAL SPEED Album Tour (Mar 2024) + ALL DOLL’D UP EP Tour (Apr 2023).

  • International: Debut headline North America tour in March 2026 + 2nd USA tour in Sep 2026

Headline

  • Levitation Austin (2026), SXSW Austin (2026), Yours & Owls Festival (2026), Party in the Paddock (2026), Wanderer Festival (2025), BIGSOUND (2023), The Gum Ball Festival (2024)

Festivals

  • IDLES (DJ set), The Grogans, The Bel Air Lip Bombs, Beddy Rays, Ruby Fields, Floodlights, EKKSTACY, C.O.F.F.I.N, These New South Whales, Crocodylus, Le Shiv

  • Main support on the Full Flower Moon Band Megaflower NSW Tour (2024)

Supports

metrics

  • 114.2k Spotify Monthly Listeners

  • 21.2k Spotify Followers

  • 13.3k Instagram Followers

  • 496.5k Youtube Views

  • 1.7k Facebook Followers

  • Sold out 500 copies of 'Wound Up’ Vinyl LP within 3 months of release

noteworthy

  • Wound Up (2026) debuted at #2 on the ARIA Australian Albums Chart and 17# on the Vinyl Charts

  • 5 Headline tours across Australia (sold out shows at The Triffid, Howler, Brightside Outdoors, Lansdowne Hotel)

  • 2 headline USA tours in 2026 with sold out shows in New York, Denver, Chicago

  • Scorching Heat (2025) nominee for Queensland Music Awards ‘Rock’ Category and finalist in Unsigned Only ‘Rock’ Category

  • Moving featured on ABC News Breakfast, and Daddy the Feature Video of the Week on Rage

  • Triple J Airplay and strong community radio support around Australia

  • Strong Editorial Playlist support on Spotify (Wire, New Music Friday, Fresh Finds, All New Rock, Local Noise) and Apple (New Music Daily, Good Times, New in Rock, The New Rock)

  • Debut Album Legal Speed (2024) nominated for The Triffid QLD Album of the Year 

  • US college radio support charting on NACC Top 200 + SubModern Albums

  • Press coverage from notable Magazines: Atwood Magazine, Monster Children, Far Out Magazine, Beat Magazine, The Luna Collective

Contacts

MGMT. Sag Noise [worldwide] - Agnes Dear sag.noise@gmail.com

Bookings.
Select Music [AU/NZ/ASIA] - Brandon Wade brandon@selectmusic.com.au

Mint Talent Group [U.S] - Brendan Biesen brendan@minttalentgroup.com

PR. Big Hassle Media [U.S]- Mia Gilling mia@bighassle.com

videos